The Crystal Cave Read online

  * * *

  It was only when the sun, low over one wing of the valley, sent a long shadow creeping up the slope, that I remembered the other life that waited for me, and how far I had to go. I jumped to my feet.

  "I'll have to go! Demetrius won't say anything, but if I'm late for supper they'll ask why."

  "And you don't intend to tell them?"

  "No, or they'd stop me coming again."

  He smiled, making no comment. I doubt if I noticed then the calm assumptions on which the interview had been based; he had neither asked how I had come, nor why. And because I was only a child I took it for granted, too, though for politeness' sake I asked him:

  "I may come again, mayn't I?"

  "Of course."

  "I — it's hard to say when. I never know when I'll get away — I mean, when I'll be free."

  "Don't worry. I shall know when you are coming. And I shall be here."

  "How can you know?"

  He was rolling up the book with those long, neat fingers. "The same way I knew today."

  "Oh! I was forgetting. You mean I go into the cave and send the bats out?"

  "If you like."

  I laughed with pleasure. "I've never met anyone like you! To make smoke signals with bats! If I told them they'd never believe me, even Cerdic."

  "You won't tell even Cerdic."

  I nodded. "That's right. Nobody at all. Now I must go. Goodbye, Galapas."

  "Goodbye."

  * * *

  And so it was in the days, and in the months, that followed. Whenever I could, once and sometimes twice in the week, I rode up the valley to the cave. He certainly seemed to know when I was coming, for as often as not he was there waiting for me, with the books laid out; but when there was no sign of him I did as we had arranged and sent out the bats as a smoke signal to bring him in. As the weeks went by they got used to me, and it took two or three well-aimed stones sent up into the roof to get them out; but after a while this grew unnecessary; people at the palace grew accustomed to my absences, and ceased to question them, and it became possible to make arrangements with Galapas for meeting from day to day.

  Moravik had let me go more and more my own way since Olwen's baby had been born at the end of May, and when Camlach's son arrived in September she established herself firmly in the royal nursery as its official ruler, abandoning me as suddenly as a bird deserting the nest. I saw less and less of my mother, who seemed content to spend her time with her women, so I was left pretty much to Demetrius and Cerdic between them. Demetrius had his own reasons for welcoming a day off now and again, and Cerdic was my friend. He would unsaddle the muddy and sweating pony without question, or with a wink and a lewd remark about where I had been that was meant as a joke, and was taken as such. I had my room to myself now, except for the wolfhound; he spent the nights with me for old times' sake, but whether he was any safeguard I have no idea. I suspect not; I was safe enough. The country was at peace, except for the perennial rumours of invasion from Less Britain; Camlach and his father were in accord; I was to all appearances heading willingly and at high speed for the prison of the priesthood, and so, when my lessons with Demetrius were officially done, was free to go where I wished.

  I never saw anyone else in the valley. The shepherd only lived there in summer, in a poor hut below the wood. There were no other dwellings there, and beyond Galapas' cave the track was used only by sheep and deer. It led nowhere.

  He was a good teacher, and I was quick, but in fact I hardly thought of my time with him as lessons. We left languages and geometry to Demetrius, and religion to my mother's priests; with Galapas to begin with it was only like listening to a story-teller. He had travelled when young to the other side of the earth, Aethiopia and Greece and Germany and all around the Middle Sea, and seen and learned strange things. He taught me practical things, too; how to gather herbs and dry them to keep, how to use them for medicines, and how to distil certain subtle drugs, even poisons. He made me study the beasts and birds, and — with the dead birds and sheep we found on the hills, and once with a dead deer — I learnt about the organs and bones of the body. He taught me how to stop bleeding, how to set a broken bone, how to cut bad flesh away and cleanse the place so that it heals cleanly; even — though this came later — how to draw flesh and sinews into place with thread while the beast is stunned with fumes. I remember that the first spell he taught me was the charming of warts; this is so easy that a woman can do it.

  One day he took a book out of the box and unrolled it. "Do you know what this is?"

  I was used to diagrams and drawings, but this was a drawing of nothing I could recognize. The writing was in Latin, and I saw the words Aethiopia and Fortunate Islands, and then right out in a corner, Britannia. The lines seemed to be scrawled everywhere, and all over the picture were trails of mounds drawn in, like a field where moles have been at work.

  "Those, are they mountains?"

  "Yes."

  "Then it's a picture of the world?"

  "A map."

  I had never seen a map before. At first I could not see how it worked, but in a while, as he talked, I saw how the world lay there as a bird sees it, with roads and rivers like the radials of a spider's web, or the guidelines that lead the bee into the flower. As a man finds a stream he knows, and follows it through the wild moors, so, with a map, it is possible to ride from Rome to Massilia, or London to Caerleon, without once asking the way or looking for the milestones. This art was discovered by the Greek Anaximander, though some say the Egyptians knew it first. The map that Galapas showed me was a copy from a book by Ptolemy of Alexandria. After he had explained, and we had studied the map together, he bade me get out my tablet and make a map for myself, of my own country.

  When I had done he looked at it. "This in the center, what is it?"

  "Maridunum," I said in surprise. "See, there is the bridge, and the river, and this is the road through the market place, and the barrack gates are here."

  "I see that. I did not say your town, Merlin, I said your country."

  "The whole of Wales? How do I know what lies north of the hills? I've never been further than this."

  "I will show you."

  He put aside the tablet, and taking a sharp stick, began to draw in the dust, explaining as he did so. What he drew for me was a map shaped like a big triangle, not Wales only, but the whole of Britain, even the wild land beyond the Wall where the savages live. He showed me the mountains and rivers and roads and towns, London and Calleva and the places that cluster thick in the south, to the towns and fortresses at the ends of the web of roads, Segontium and Caerleon and Eboracum and the towns along the Wall itself. He spoke as if it were all one country, though I could have told him the names of the kings of a dozen places that he mentioned. I only remember this because of what came after.

  Soon after this, when winter came and the stars were out early, he taught me their names and their powers, and how a man could map them as one would map the roads and townships. They made music, he said, as they moved. He himself did not know music, but when he found that Olwen had taught me, he helped me to make myself a harp. This was a rude enough affair, I suppose, and small, made of hornbeam, with the curve and fore-pillar of red sallow from the Tywy, and strung with hair from my pony's tail, where the harp of a prince (said Galapas) should have been strung with gold and silver wire. But I made the string-shoes out of pierced copper coins, the key and tuning-pins of polished bone, then carved a merlin on the sounding-board, and thought it a finer instrument than Olwen's. Indeed it was as true as hers, having a kind of sweet whispering note which seemed to pluck songs from the air itself. I kept it in the cave: though Dinias left me alone these days, being a warrior while I was only a sucking clerk, I would not have kept anything I treasured in the palace, unless I could lock it in my clothes-chest, and the harp was too big for that. At home for music I had the birds in the pear tree, and Olwen still sang sometimes. And when the birds were silent, and the night sky was
frosted with light, I listened for the music of the stars. But I never heard it.

  Then one day, when I was twelve years old, Galapas spoke of the crystal cave.

  7

  IT IS COMMON KNOWLEDGE THAT, with children, those things which are most important often go unmentioned. It is as if the child recognizes, by instinct, things which are too big for him, and keeps them in his mind, feeding them with his imagination till they assume proportions distended or grotesque which can become equally the stuff of magic or of nightmare.

  So it was with the crystal cave.

  I had never mentioned to Galapas my first experience there. Even to myself I had hardly admitted what came sometimes with light and fire; dreams, I had told myself, memories from below memory, figments of the brain only, like the voice which had told me of Gorlan, or the sight of the poison in the apricot. And when I found that Galapas never mentioned the inner cave, and that the mirror was kept covered whenever I was there, I said nothing.

  I rode up to see him one day in winter when frost made the ground glitter and ring, and my pony puffed out steam like a dragon. He went fast, tossing his head and dragging at the bit, and breaking into a canter as soon as I turned him away from the wood and along the high valley. I had at length grown out of the gentle, cream-coloured pony of my childhood, but was proud of my little Welsh grey, which I called Aster. There is a breed of Welsh mountain pony, hardy, swift, and very beautiful, with a fine narrow head and small ears, and a strong arch to the neck. They run wild in the hills, and in past times interbred with horses the Romans brought from the East. Aster had been caught and broken for my cousin Dinias, who had overridden him for a couple of years and then discarded him for a real warhorse. I found him hard to manage, with rough manners and a ruined mouth, but his paces were silken after the jogging I was used to, and once he got over his fear of me he was affectionate.

  I had long since contrived a shelter for my pony when I came here in winter. The hawthorn brake grew right up against the cliff below the cave, and deep in the thickest part of it Galapas and I had carried stones to make a pen of which the back wall was the cliff itself. When we had laid dead boughs against the walls and across the top, and had carried a few armfuls of bracken, the pen was not only a warm, solid shelter, but invisible to the casual eye. This need for secrecy was another of the things that had never been openly discussed; I understood without being told that Galapas in some way was helping me to run counter to Camlach's plans for me, so — even though as time went on I was left more completely to my own devices — I took every precaution to avoid discovery, finding half a dozen different ways to approach the valley, and a score of stories to account for the time I spent there.

  I led Aster into the pen, took off his saddle and bridle and hung them up, then threw down fodder from a saddle-bag, barred the entrance with a stout branch, and walked briskly up to the cave.

  Galapas was not there, but that he had gone only recently was attested by the fact that the brazier which stood inside the cave mouth had been banked down to a glow. I stirred it till the flames leapt, then settled near it with a book. I had not come today by arrangement, but had plenty of time, so left the bats alone, and read peacefully for a while.

  I don't know what made me, that day out of all the days I had been there alone, suddenly put the book aside, and walk back past the veiled mirror to look up at the cleft through which I had fled five years ago. I told myself that I was only curious to see if it was as I had remembered it, or if the crystals, like the visions, were figments of my imagination; whatever the reason, I climbed quickly to the ledge, and dropping on my hands and knees by the gap, peered in.

  The inner cave was dead and dark, no glimmer reaching it from the fire. I crawled forward cautiously, till my hands met the sharp crystals. They were all too real. Even now not admitting to myself why I hurried, with one eye on the mouth of the main cave and an ear open for Galapas' return, I slithered down from the ledge, snatched up the leather riding jerkin which I had discarded and, hurrying back, thrust it in front of me through the gap. Then I crawled after.

  With the leather jerkin spread on the floor, the globe was comparatively comfortable. I lay still. The silence was complete. As my eyes grew accustomed to the darkness, I could see the faintest grey glimmer from the crystals, but of the magic that the light had brought there was no sign.

  There must have been some crack open to the air, for even in that dark confine there was a slight current, a cold thread of a draught. And with it came the sound I was listening for, the footsteps of someone approaching over the frosty rock...

  When Galapas came into the cave a few minutes later I was sitting by the fire, my jerkin rolled up beside me, poring over the book.

  Half an hour before dusk we put our books aside. But still I made no move to go. The fire was blazing now, filling the cave with warmth and flickering light. We sat for a while in silence.

  "Galapas, there's something I want to ask you."

  "Yes?"

  "Do you remember the first day I came here?"

  "Very clearly."

  "You knew I was coming. You were expecting me."

  "Did I say so?"

  "You know you did. How did you know I would be here?"

  "I saw you in the crystal cave."

  "Oh, that, yes. You moved the mirror so that the candlelight caught me, and you saw my shadow. But that's not what I was asking you. I meant, how did you know I was going to come up the valley that day?"

  "That was the question I answered, Merlin. I knew you were coming up the valley that day, because, before you came, I saw you in the cave."

  We looked at one another in silence. The flames glowed and muttered between us, flattened by the little draught that carried the smoke out of the cave. I don't think I answered him at first, I just nodded. It was something I had known. After a while I said, merely: "Will you show me?"

  He regarded me for a moment more, then got to his feet. "It is time. Light the candle."

  I obeyed him. The little light grew golden, reaching among the shadows cast by the flickering of the fire.

  "Take the rug off the mirror."

  I pulled at it and it fell off into my arms in a huddle of wool. I dropped it on his bed beside the wall.

  "Now go up on the ledge, and lie down."

  "On the ledge?"

  "Yes. Lie on your belly, with your head towards the cleft, so that you can see in."

  "Don't you want me to go right in?"

  "And take your jerkin to lie on?"

  I was halfway up to the ledge. I whipped round, to see him smiling.

  "It's no use, Galapas, you know everything."

  "Some day you will go where even with the Sight I cannot follow you. Now lie still, and watch."

  I lay down on the ledge. It was wide and flat and held me comfortably enough, prone, with my head pillowed on my bent arms, and turned towards the cleft.

  Below me, Galapas said softly: "Think of nothing. I have the reins in my hand; it is not for you yet. Watch only."

  I heard him move back across the cave towards the mirror.

  * * *

  The cave was bigger than I had imagined. It stretched upwards further than I could see, and the floor was worn smooth. I had even been wrong about the crystals; the glimmer that reflected the torchlight came only from puddles on the floor, and a place on one wall where a thin slither of moisture betrayed a spring somewhere above.

  The torches, jammed into cracks in the cave wall, were cheap ones, of rag stuffed into cracked horns — the rejects from the workshops. They burned sullenly in the bad air. Though the place was cold, the men worked naked save for loincloths, and sweat ran over their backs as they hacked at the rock-face, steady ceaseless tapping blows that made no noise, but you could see the muscles clench and jar under the torchlit sweat. Beneath a knee-high overhang at the base of the wall, flat on their backs in a pool of seepage, two men hammered upwards with shortened, painful blows at rock within inches of t
heir faces. On the wrist of one of them I saw the shiny pucker of an old brand.

  One of the hewers at the face doubled up, coughing, then with a glance over his shoulder stifled the cough and got back to work. Light was growing in the cave, coming from a square opening like a doorway, which gave on a curved tunnel down which a fresh torch — a good one — came.

  Four boys appeared, filthy with dust and naked like the others, carrying deep baskets, and behind them came a man dressed in a brown tunic smudged with damp. He had the torch in one hand and in the other a tablet which he stood studying with frowning brows while the boys ran with their baskets to the rock-face and began to shovel the fallen rock into them. After a while the foreman went forward to the face and studied it, holding his torch high. The men drew back, thankful it seemed for the respite, and one of them spoke to the foreman, pointing first at the workings, then at the seeping damp at the far side of the cave.

  The boys had shovelled and scrabbled their baskets full, and dragged them back from the face. The foreman, with a shrug and a grin, took a silver coin from his pouch and, with the gambler's practiced flick, tossed it. The workmen craned to see. Then the man who had spoken turned back to the face and drove the pick in.

  The crack widened, and dust rushed down, blotting out the light. Then in the wake of the dust came the water.

  * * *

  "Drink this," said Galapas.

  "What is it?"

  "One of my brews, not yours; it's quite safe. Drink it."

  "Thanks. Galapas, the cave is crystal still. I — dreamed it differently."

  "Never mind that now. How do you feel?"

  "Odd... I can't explain. I feel all right, only a headache, but — empty, like a shell with the snail out of it. No, like a reed with the pith pulled out."

  "A whistle for the winds. Yes. Come down to the brazier."